[...]"Perhaps the faces and the bodies of S.N. are in the end a constant attempt of a single self portrait, and perhaps that is why they are untitled. Or, maybe not; the most interesting element is the transitory character of the human features, almost a meteorology of the body. Anyway it's their narrative vocation that makes them so familiar and so mysterious.
Their relationship with tradition seems to say this. The canvasses of S.N. undoubtably possess a classical quality"
[...] full text

Mario Fortunato, from The figures of discretion, June 1997